
Old World Portraits
Pope Urban II Consecrating the Saint-Sernin Basilica
Antoine Rivalz
An elegant Baroque depiction of Pope Urban II in detailed liturgical robes during a sacred consecration.
Statement-making works with contrast and presence for layered arrangements.
Contrast, presence, and variety help these works hold together in a layered arrangement.

Old World Portraits
Antoine Rivalz
An elegant Baroque depiction of Pope Urban II in detailed liturgical robes during a sacred consecration.

Figure Studies
Bernardo Strozzi
An evocative Baroque portrait capturing the contemplative intensity of St. Jerome.

Moody Landscapes
Henryk Szczyglinski
An evocative nocturnal scene capturing a solitary guardian amidst a quiet, snow-covered forest in winter.

Figure Studies
Ivan Kramskoi
A somber and masterful depiction of internal struggle set against a stark, rocky wilderness.

Dark Academia
Henri Jules Jean Geoffroy
An atmospheric scene depicting Jean Valjean and the young Cosette from Victor Hugo's literary masterpiece.

Old World Portraits
Nicolas Mignard
A striking 17th-century portrait of the celebrated French playwright Molière in a heroic classical role.

Old World Portraits
Frank Duveneck
A striking, atmospheric portrait defined by bold brushwork and dramatic light.

Dark Academia
Alessandro Longhi
A sophisticated 18th-century allegory exploring the intersection of creative labor and merit through dramatic light and shadow.

Old World Portraits
Jacques Raymond Brascassat
An evocative 19th-century portrait capturing a serious subject in striking, high-contrast light.

Contains nudity
Figure Studies
Egon Schiele
An expressive 1910 figure drawing by Egon Schiele, showcasing his signature raw line work and stark composition.

Contains nudity
Figure Studies
Akseli Gallen-Kallela
A powerful and dramatic scene from Finnish mythology, rendered in the evocative Symbolist style of Akseli Gallen-Kallela.

Contains nudity
Figure Studies
Unknown Artist
A dramatic Baroque-style scene depicting the legendary death of Cleopatra.
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