
Figure Studies
The Flight into Egypt
Carlo Maratta
An exquisite 17th-century Baroque scene of the Holy Family guided by celestial figures.
Expressive figure-led works that feel classical, intimate, and human.
Anonymous sitters, allegorical bodies, and painterly figure scenes bring warmth, movement, and a collected studio feel.

Figure Studies
Carlo Maratta
An exquisite 17th-century Baroque scene of the Holy Family guided by celestial figures.

Figure Studies
Berthe Morisot
A serene Impressionist portrait of a woman resting in a sun-dappled garden.

Figure Studies
Robert Wilhelm Ekman
A dramatic 19th-century oil sketch depicting Christ’s radiant ascent into the heavens.

Figure Studies
Marie Petiet
A charming 1879 genre painting of three young women in Toulouse, rendered with a soft, romantic realism.

Figure Studies
Unknown Artist
An elegant 18th-century portrait of a young woman featuring delicate floral accents and a soft, luminous palette.

Figure Studies
Pierre-Auguste Renoir
A charming and intimate Impressionist portrait of a woman cradling a cat, rendered in soft, luminous tones.

Figure Studies
Unknown Artist
A delicate 18th-century profile study of a young girl, capturing a moment of quiet innocence.

Contains nudity
Figure Studies
William Etty
A dramatic and classically executed oil study of the male form by the renowned British artist William Etty.

Contains nudity
Figure Studies
Nicolas Vleughels
An elegant 18th-century French Rococo painting depicting Thalia and Terpsichore, the muses of comedy and dance, in a serene landscape.

Contains nudity
Figure Studies
Alexandre-Charles Guillemot
A dramatic Neoclassical oil study capturing the celestial ascent of the Virgin Mary.

Contains nudity
Figure Studies
Hans Rottenhammer
An evocative Mannerist depiction of the biblical Fall of Man, characterized by luminous figures against a dark, atmospheric landscape.

Contains nudity
Figure Studies
Henri Gervex
An ethereal allegorical study featuring celestial figures and soft clouds in a classic French academic style.
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